Wednesday, December 29, 2021

Red Moon and Black Mountain

Joy Chant
Completed 12/29/2021, Reviewed 12/29/2021
4 stars

This is a tough one to review.  I started out not liking it but loved the ending.  The story felt derivative, although this book was first published in 1970 by the same publisher of JRR Tolkien.  It kind of had the feel of a cross between Narnia and Lord of the Rings and an old pulp fantasy novel, which is probably why Allen & Unwin published it.  It’s written well and the world building is very good.  I thought the end was tremendous.  It just didn’t sit right with me for the first half of it.  This book won the second Mythopoeic Award in 1972, the year after it was published here in the States.

The story is about three children, Oliver, Nicholas, and Penny, who stumble out of the present and into an alternate universe.  Nicholas and Penny find themselves together near a great black mountain pelted by snow.  The are found by a princess and her entourage.  Oliver finds himself out on a plain and is discovered by a nomadic tribe.  Oliver integrates into the tribe, forgetting his past.  Nicholas and Penny find themselves on an adventure at the beginning of a battle between good and evil.  Eventually, all the peoples of this world come together to fight the great evil that has arisen and wants to destroy everything good in the world.

So you can see why it bears resemblance to Lewis and Tolkien.  I think that’s why I had a hard time with it in the beginning.  It also didn’t help that the names of this alternate universe’s inhabitants were very difficult to get used to, often containing apostrophes and or unusual consonant pairings.  There were a lot of characters for a short book.  There were mostly men and a lot of them ran together, as did the place and tribal names.  Lots of M’s, H’s and K’s.  The few women that were present were pretty strong, for the most part, although I was bummed that the powerful enchantress princess fell silly in love with a man.  It didn’t fit the character she was at the beginning.  

In general, I thought the characters and the dialogue were wooden.  There didn’t seem to be much emotional depth to them.  The princess wasn’t too bad and Nicholas and Penny had some depth as well.  Oliver was one-note, the brooding teenager who is called to greatness, and still broods.  But somehow,  by the end, I was pretty attached to the children and the major players from the alt-uni.

The ending, though, packed a punch.  There was a very well-written battle, and Oliver’s brooding actually felt authentic throughout it and afterwards.  I found myself slowing down my reading to make sure I got every word and nuance of what was happening.  This was a stark contrast particularly to the middle third of the book where I just wanted to get through it as quickly as I could.  The effort paid off and I was rewarded with a thorough enjoyment of the conclusion.  

I toyed with giving this book three stars because of the derivative nature and the fact that I wasn’t happy with the first half.  But I loved the second half so much that I decided to give it a reluctant four stars out of five.   This book is the first of a trilogy, though it appears they are not dependent on each other.  The third, “When Voiha Wakes”, also won the Mythopoeic Award, so I’ll be reading that as well.  The second book was a prequel to the first, so I’m hoping I won’t be lost when I read Voiha.  Now that I’ve finished this book, I’m actually looking forward to it.

Monday, December 27, 2021

Ka: Dar Oakley in the Ruin of Ymr

John Crowley
Completed 12/27/2021, Reviewed 12/27/2021
4 stars

This is another one of those books that I found to be well-written and even may call profound, but didn’t quite work for me.  It’s a tour through western civilization through the eyes of a Crow.  It’s not just any Crow, but the first to bear a name and one who achieves a sort of immortality.  The prose is so lush, it’s almost poetry.  The perspective, that of a Crow, is remarkable.  Yet for all its gloriousness, I was rather bored by it.  This book won the 2018 Mythopoeic Award and was nominated for several others.  

Dar Oakley’s story is conveyed by a human in whose garden he falls, sick with a bird flu.  Amazingly, Dar can speak and communicates with the human, telling him stories of his long life.  The story begins apparently in Europe, with the first People living in tribes.  Dar sees a couple of two legged beings wearing animal skins carrying spears.  Eventually, he sees the whole tribe.  He befriends a young girl, known as Fox Cap, who becomes a shaman in her tribe.  Dar witnesses battles over territory as well as life and death in the tribe.  With the Fox Cap, he goes on a journey in which he acquires immortality.  Dar lives a very long life, but then dies and is reborn somewhere else.  His adventures take him to Ireland where he lives with a brother in a religious order, on a boat ride to the New World with a boy who may have been St. Brendan the Navigator, in America where he befriends a Native American medicine man, through the Civil War, with a psychic woman, and through a personal battle with a Crow hunter.  Finally, his story takes him to the narrator who is a dying widower.  And with most of the People who develops close relationships with, he has the ability to communicate with them.

Perhaps the best thing about this book is that Dar Oakley is not an anthropomorphized animal.  He’s a Crow and throughout the book, he interacts with other Crows as such as well as when he interacts with humans.  He and the other Crows do all the things Crows do, live in colonies, mate, and search for food.  The whole beginning of Dar’s dealings with People is based on the fact that they have battles, leaving their dead, which is food for the Crows.  

The book is also a grand meditation on life and death, through Dar’s own life and immortality as well as that of the People he encounters.  Being immortal, he must deal with the death of his mates and friends, both Crow and People.  And being a Crow, as known through mythology, he has access to the underworld.  It is there he acquires his immortality while traveling with Fox Cap on her shamanic journey.  In one particularly dramatic sequence, he follows the Irish brother into Hell to help purge him of his sins.  

The one thing that left me cold though was that I never felt like developed a relationship with Dar.  Rather, I did with his People companions, particularly Fox Cap and the Irish brother.  I also enjoyed Dar’s battle against the Crow hunter who steals his daughter and trains her as a lure for other Crows.  The Crow hunter was deliciously evil.  But I think this lack of empathy with Dar was what kept me from feeling fully engaged in the story at the various points where he is not attached to a human, or when he is just doing Crow stuff.  

I think this book is really wonderful but boring.  It’s smart, inventive, and lushly written.  It just couldn’t keep my interest.  Still, I give it four stars out of five because I recognize what a masterpiece Crowley has written here.  If I went on feelings alone, I would have only given it three stars.  But it is so much more than that.  I think for the right reader, this book would be mind-blowing.  Crowley also won several awards for a much earlier novel which I will be reading soon.  I’m interested to see what that one will be like.  Crowley has only written ten novels in his long career and I think it definitely shows in this one that he takes great care in what and how he writes.

Thursday, December 23, 2021


Patricia A. McKillip
Completed 12/23/2021, Reviewed 12/23/2021
4 star

I have yet to read a book by McKillip that I haven’t liked.  This one is no exception.  It’s a fun, alternative universe-urban fantasy retelling of the search for the Holy Grail, mixing motorcycles and cell phones with kings, knights, and sorceresses.  And there’s a lot of seafood!  The book has the usual excellent prose and lifelike characters I’ve come to expect from McKillip.  If I knew more Arthurian legend, I could say which of these characters represented which of the Arthurian knights and sorceresses.  But even not knowing all that, I still found the book very enjoyable.  It won the 2017 Mythopoeic Award.

Pierce Oliver lives with his sorceress mother Heloise in a remote coastal village.  He never knew his father, and after a surprising reveal by his mother, he decides to go to the capital to find him.  He hops in his car and heads south.  He stops after a while at a rundown restaurant to eat and rest.  In the morning, no one is around and he sees a beautiful knife that seems to call to him.  He takes it and leaves.  It turns out to be a magical knife that he will need for some reason.  He makes his way to the capital and happens upon the king’s castle on the night the king announces the plan to find an artifact that has mysterious powers, a cup or cauldron of indeterminant size, shape, color, or make.  At this gathering he accidently meets his long-lost brother, a knight, as well as his knight father.  They and most of the other knights begin their quest for the artifact.

The general plot is simple enough, but there is a whole cast of other characters that come in and out of Pierce’s life.  Surprisingly, they are all done really well.  My one and only complaint with the book is that the narration follows too many of them.  The alternating narration moves the plot along well enough, but at times, I got a little lost trying to keep up with everyone. 

I really liked the magical food trope that runs throughout the book.  There are several restaurants in the story.  Heloise has one, where Pierce learned how to catch crabs, prep food, and cook.  The Kingfisher restaurant employs woman named Carrie who does marvelous things with fried seafood.  The place also has what seems to be a magical all-you-can-eat Seafood Friday.  And in the same town, there’s a mysterious man named Stillwater who makes little amuse bouche that leave people voraciously hungry no matter how much they eat.  What’s interesting is that all these restaurants tie in to the quest for the artifact.  

Another thing I liked was the transposition of fantasy-style kings, knights, and sorceresses onto modern day.  The knights ride motorcycles, though they still fight with swords.  It’s sort of like a Renaissance Festival unleashed upon the present.  When you start the book, it’s a little bit of a shock realizing it’s the present.  

I wouldn’t say this is a light, fluff book, but it is fun.  There’s some serious drama with different groups of people looking for the artifact for different reasons.  There’s treachery and malice to add some depth to the plot.  There’s suspicious fae.  There’s Carrie and her estranged relationship with her shapeshifting father.  But it’s those juicy subplots juxtaposed with the contemporary setting that make it a fun read.  I give this book four out of five stars.  

Monday, December 20, 2021

Seventh Son

Orson Scott Card
Completed 12/19/2021, Reviewed 12/19/2021
1 star

I was looking forward to this book because I liked the two Ender books I read.  But I was also dreading this book because of my distaste for the author himself.  Upon reading it, I was perplexed.  I couldn’t believe this was the same author who wrote Ender’s Game and Speaker for the Dead.  This felt like a bad pulp novel from the ‘50s.  It’s an alternative early American history with folk religion competing with the different Christian sects.  It was choppy, full of exposition, and clearly the beginning of a series.  The plot went nowhere.  Yet this book won the 1988 Mythopoeic Award and was nominated for several others, including the Hugo.  I just don’t get it.

Alvin Miller is the seventh son of a seventh son.  This means he’s gifted, special, and possibly even a savior of some sort.  He has a “knack” for things, like flawlessly carving stone and commanding cockroaches.  His family are homesteaders in the territory of Hio, part of the United States that’s comprised of seven states including one for Native Americans.  His mother is Christian, but his father is of the folk religion.  His mother drags him to church but his father tries to foster Alvin’s folky talents.  A stranger comes through town, known as Taleswapper, to help Alvin understand his gifts as well.  On the other hand, the local Christian preacher and Alvin’s brother-in-law try to get the Devil out of him.  

I had a lot of problems with this book.  The first is that I didn’t like the writing.  The characters generally speak in a twangy country dialect.  That I could handle.  What I didn’t like is that Card popped in and out of using the dialect in the non-dialogue narration.  It was very aggravating trying to read all the ain’ts and triple negatives and other cutesy colloquialisms.  If it was consistent, as in a first person narration, I think I could have handled it just fine.  But this was third person omniscient.  It should have been left to the dialogue.

Another thing I didn’t like was that most of the alternative American history was preachy exposition.  It stopped the forward momentum of the story telling.  I thought it would be interesting, but I generally didn’t like it.  It was focused on religion more than politics.  And except for George Washington being beheaded for being a traitor to the English and Benjamin Franklin being a wizard, I couldn’t really follow all the details of all the other founding fathers mentioned.  They were more like asides than anything integral to the plot.  The exception was Franklin, who was Taleswapper’s roommate for a few years.

Then there was the offensive portrayal of non-whites.  The Native Americans were called Reds and were obsessed with scalping.  Of course, they were also all alcoholics.  And I couldn’t believe that Card actually used the offensive term for black children that begins with a P.  I think these things turned me off from the book pretty early on.

The characters were mostly one-dimensional.  Alvin had some depth, but I had a hard time reading him as a child.  While I thought Ender was very well depicted as a child, Alvin’s nature only came through occasionally.  Interestingly enough, I thought the Christian minister had more depth than the rest of the characters put together.  He struggled with what to do with the Millers and then was in agony over visions he received calling for killing Alvin.  I felt for him more than any other character despite his portrayal as one of the bad guys. I also didn’t like the cartoonish names of most of the characters.

I don’t know much about the life of Joseph Smith, but my understanding is that this story parallels his early life, from the bickering parents of different faiths to the broken leg near the end.  To me, the parallel wasn’t organic.  It felt forced.  It’s like Card thought “Hey, I’m going to fantasize Joseph Smith’s life” and clunked his way through it, coming up with scenarios that didn’t flow naturally into a decent story arc.  

I was going to give this book two stars, but after writing this review, I dropped it down to one star out of five.  The one star is for the details of Alvin coming into his own power and the struggle of the minister.  Everything else was mind-numbing or offensive.  If I read this book first, I never would have picked up the Ender books.  This is Card at his worst and I have no intention of reading any of the other books in this series, despite the homoerotic covers on most of them.  

Saturday, December 18, 2021

The Hollow Hills

Mary Stewart
Completed 12/18/2021, Reviewed 12/18/2021
3 stars

Another beautifully written book by Stewart, this is the second entry in the Arthurian Saga.  It basically suffers from the same problems as its predecessor, The Crystal Cave.  Lots of gorgeous, descriptive prose that gets in the way of the plot.  This book also spends even more time on the details of journeys across the country which I found to be boring filler.  In fact, I only really liked the first hundred and the last hundred pages of this nearly five-hundred-page novel.  For what it’s worth, this book won the 1974 Mythopoeic Award and it’s about as beloved as “Cave”.  

Be warned: this plot summary has spoilers for the first book…

This book picks up after the conception of Arthur, which is how “Cave” ended.  It recounts how Merlin got to this place of waiting for Arthur’s birth so that he can whisk the babe away to protect him from King Uther Pendragon’s enemies, and possibly Uther himself.  But he finds both parents in agreement with his plan and takes the infant to a kinsman of Uther’s.  There he is weaned and then sent to anther kinsman back in Britain.  After delivering the infant, Merlin leaves his sidekick Ralf to watch over Arthur’s development.  He travels to the continent to create a diversion for any spies who might be following him.  But all the while he knows what is happening to Arthur through his visions.  Finally he returns to England when the boy is thirteen and mentors him until Uther calls on him to declare him his heir.

The characterization is not as good in this book.  Merlin is basically the same in this book as he is at the end of the first.  He’s the narrator again, but not much really happens to him.  His reactions and responses throughout the book are pretty predictable.  Ralf, his sidekick is a little more interesting, being kicked out of the palace to be Merlin’s helper.  He resents his new station until he comes to believe in the big picture of Merlin’s prophesy of Arthur.  Arthur himself is only slightly better developed.  We only read about him in the last hundred pages of the book, which is partly why I liked that part.

I was bored by the whole middle three hundred pages.  It was all travelogue.  Merlin goes from place to place, but the plot really doesn’t advance.  I fell asleep often during this section.  Things don’t happen again until the Merlin goes to find Arthur after thirteen years.  Then everything picks up: the plot, the action, the suspense, the character development.  

I give this book three out of five stars.  This time, my boredom couldn’t overcome the prose.  I’m glad no other books in this series won the award, because I’m just not interested in them.

Tuesday, December 14, 2021

In the Night Garden

Catherynne M Valente
Completed 12/13/2021, Reviewed 12/14/2021
5 stars

This book blew me away, mostly because of its form.  It’s a collection of stories, sort of like the story of Scheherazade and the 1001 Nights.  Here, a girl tells stories to a young prince.  The remarkable thing, though, is that the stories are nested.  She begins one tale, within which is another tale, within which is another tale, and so on.  All the stories are within the same universe and the characters all overlap.  Left in average hands, this could have been a mess, but Valente does it expertly and with such deft that it is easy to follow.  You never feel that there is exposition because the recursive form makes each story seem vital.  This book and its sequel “In the Cities of Coin and Spice” together won the 2008 Mythopoeic Award.  This volume alone won the 2006 Otherwise Award and was nominated for the 2007 World Fantasy Award.

The plot is really difficult to convey.  The outermost story is about a girl labeled as a demon, abandoned by her family, shunned by the community, and living alone in the royal gardens.  A young prince, one of many children of the Caliph, sneaks out of the castle looking for adventure.  He finds her there and she begins to tell him the stories which are inked around her eyes so closely together, they make her eyes look dark, hollow, and evil, hence the demon label.  But the stories entrance him and soon he is engrossed in the nested stories.  He sneaks out daily, bringing her food in exchange for the storytelling.  His eldest sister, caretaker of all the children, finds out and punishes him, but he always finds a way to get back to the storyteller.  

The stories are all magical and mythical.  There are so many, it’s hard to remember them all, so I’ll quote the blurb on the back of the book.  There are “…tales of shape-shifting witches and wild horsewomen, heron kings and beast princesses, snake gods, dog monks, and living stars…”  And that’s just a few.  With their interweaving form, it’s hard to say which specific stories I liked.  I have to say it was all engrossing because of their form.  One might think that it may get annoying because you’d just want a story to finish, and a few times I did, but mostly I just wanted to keep reading to get through the whole complexity to its conclusion.

It’s really hard to talk about the components of the book, like the characterization, because there are so many stories and characters.  However, I can say that the characters are all pretty well developed and the world building is simply mindboggling.  It’s like reading many, many interrelated fairy tales with a cast of thousands.  But once you buy into them, the characters are marvelous.  The book is divided into two major story sets.  In the second one, I did get a bit confused because there are several characters named Sigrid, but that cleared up as I kept reading.  Overall, the characters are colorful and most are of ambiguous morality.  They aren’t cookie cutter good guys vs. bad guys.  Some are fun, some are scary, and all are richly drawn. 

I’ll be reading the second book in a few months, maybe sooner, and I expect the review of that will be very similar to this one.  I’m so glad I read this book because the only other book I read of Valente’s was Palimpsest, which I did not like.  Though to be honest, I listened the audio of it while driving.  So maybe I need to give that one another shake.

I give this book five stars out of five.  It’s simply an amazing experience to read.  I recommend reading it quickly to keep all the stories fresh in your mind.  I would think that if you read this over a month, say, you might lose yourself in the recursive form.  At one point, I almost did.  But it’s well worth the effort.  Despite there being a sequel, it stands alone pretty well.  However, the experience is so awesome that I definitely will read the sequel (also because it’s part of my challenge to read all the Mythopoeic winners, and since the sequel was part of the win…).  Anyway, I highly recommend this book if you’re up for a bit of a challenge.  The reward is great.

Thursday, December 9, 2021


Peter S. Beagle
Completed 12/9/2021, Reviewed 12/9/2021
4 stars

This book is a ghost story, a bit different for the author, I think.  It’s about a 13-year-old girl’s acquaintance with a ghost at a run-down Manor in rural England.  It’s beautifully told, amazingly evoking the mind of teenage girl who can see the supernatural, albeit ghosts or the mythical creatures that inhabit the rural English countryside.  The narrator is the girl, Jenny, retelling her moving from New York to Dorset because of her mother’s remarriage and evolution from despising it to loving it.  I was astounded by how much I loved the book, despite being a little YA-ish.  It won the 2000 Mythopoeic Award and was nominated for several others.  

Jenny lives with her mom in New York.  When she tells Jenny she’s getting married and moving them to England, she does everything possible to try to move in with her dad.  It doesn’t work out and this shy, awkward girl with only a few friends moves to London.  In London, the stepdad tells the family he got a job in the country, Dorset, to be specific, so they move there, making matters worse for Jenny.  But there, she encounters the ghosts of a cat, and eventually, a nineteen-year-old girl named Tamsin.  Tamsin’s ghost is three-hundred-years-old, and longs for a lost love and is terrified of an evil judge who pursued her in life.  Jenny and Tamsin become friends, with Jenny learning a lot about the denizens of the night and the circumstances of Tamsin’s death.  But things get dangerous as the powerful ghost of the judge comes back to reclaim Tamsin.

The book is written as a memoir by Jenny when she’s nineteen, but she really captures the mindset of her younger self.  She often describes things she’s told no one, especially things that she finds embarrassing to recount.  I thought that touch was quite excellent.  It adds believability to this first-person narration.  The prose is marvelous.  Through the whole book, I felt like I was thinking like a thirteen-year-old.  The world building is terrific as well: smart and believable.  Beagle doesn’t overwhelm you with mythical creatures.  There’s just a few but they are described well as are the encounters Jenny has with them.  They are not simply elves or fairies.  There’s a boggart, a billy-blind, a pooka, a big black dog, and the Wild Huntsmen.  They each have their purposes for appearing to Jenny and they have distinct personalities.

Jenny is terrific, although at first, she was quite annoying, as any thirteen-year-old would be faced with the events she does.  But by the time she gets to Dorset, I really empathized with her in her dealings with her mother, stepfather and stepbrothers.  As in New York, she has trouble making friends at school.  So when she finally meets Tamsin, you’re glad she finally has a friend.  

I give this book four stars out of five.  It’s a very smart supernatural adventure.  There’s only a little bit of “things that go bump in the night” type of activity, meaning it’s not a scary book.  It’s a relationship book during a girl’s coming of age, where she learns something about herself and others.  This book is almost as good as In Calabria, and definitely better than The Folk of the Air.  It’s the kind of writing I’ve come to expect from Beagle.

Tuesday, December 7, 2021

Tales from Rugosa Coven

Sarah Avery
Completed 12/6/2021, Reviewed 12/6/2021
4 stars

I loved this book.  It’s basically an urban fantasy, or being set in coastal New Jersey, a suburban fantasy.  It’s three novellas about the members of a coven, named after the rugosa rose bush that grows wild along the sand dunes on the beach.  Avery has a way of writing to make the stories fun, interesting, and personal.  Each story is told from a different member’s perspective and deals with human and supernatural issues.  It won the Mythopoeic Award in 2015.

The first story is “Closing Arguments” and is by far my favorite.  Bob is a personal injury lawyer and part of the coven.  However, he is married to a Methodist and has three kids.  Bob’s parents die simultaneously in a Target, leaving him three quarters of their estate and his sister Sophie one quarter.  In their will, they asked that Bob burn down their generations-old mansion with all their horded stuff.  The parents leave supernatural sticky notes all over the place urging Bob to follow their wishes or they will suffer consequences in the afterlife.

Next comes “And Ria’s from Virgo”.  Ria is an astrologer and fortune teller with a secret.  She’s OCD and is finally trying to get help.  She tries to find a therapist amidst various crises within and without the coven.  One member of the coven, Jane, is being battered by her alcoholic husband.  An old flame shows up looking for a divination to locate the Jersey Devil.  And a mysterious financial advisor is seeking guidance about going to the FBI about something.  Through all this, she is trying to save money to buy the store where she reads the future, and keep her relationships within the coven from imploding.

Lastly, “Atlantis Cranks Need Not Apply” features Jane who lives with Sophie in the beach cottage she inherited from her parents in the first story.  Jane’s dangerous alcoholic husband keeps trying to get her to come back, stalking her and stealing their garbage.  But the issue she has the hardest time with is that Sophie has fallen in love with a gilled man who washed up on the beach one night.  

I really liked all the characters of the coven: Bob, Sophie, Ria, Jane, as well as Amber and Sebastian.  Each character has distinct personalities and definite quirks.  For example, Bob is juggling his own beliefs with his wife’s.  He’s quick to anger and defensive of his sister and his own family.  Ria, of course, is a long character study as she deals with her OCD.  She’s also the witchy one of the coven, wearing black, lots of silver jewelry, and constantly burning of incense.  Jane is a skeptic and very resentful.  She and Ria have an ongoing feud that doesn’t ever seem to heal.

The stories are told mostly through the dialogue rather than long prose and exposition.  The pacing is good, except maybe in Ria’s story which has a lot of inner dialogue describing what she’s doing compulsively.  That part seems a little slow at times as that is the longest story of the three.  But it wraps up in a wonderfully surprising way.  

The stories were published in reverse order, although the timeline is in the printed order.  I think that’s why I liked “Closing Arguments” best.  I think it’s the best written of the three stories.  But really, all three are pretty satisfying.

I give this book four stars out of five.  It’s no literary masterpiece, but it’s a highly enjoyable collection of tales where supernatural things do happen despite the coven’s motley beliefs.  At the end, I wished there were more stories, because Avery tells them well.  She’s blends myth with a contemporary setting in ways that’s even surprising to the coven.  I believe Avery has only written short fiction since this book, but I’d read those stories if she came out with another collection, Rugosa based or otherwise.

Sunday, December 5, 2021


Robin McKinley
Completed 12/5/2021, Reviewed 12/5/2021
2 stars

This book is considered a modern classic in the vampire genre.  It won the Mythopoeic Award in 2004.  I can see why.  The world building is phenomenal.  McKinley creates a very original world of vampires, demons, weres, and sorcerers, as well as mixed bloods, and their interactions with pure humans.  My problem with the book is that there is so much continuous info dumping that I couldn’t stay interested in the plot.  The book is told in first person, so we are inside the main character’s head, and it is a mess.  She constantly goes off on very long tangents, which sometimes aids the world building, and sometimes just shows us what a mess she is.  It ended up a tedious reading experience for me.

Rae, aka Sunshine, is a baker at a family coffeehouse.  She’s known for her outstanding cinnamon rolls, muffins, and desserts.  During a particularly toxic family movie night, she decides to leave and finds herself driving up to an old cabin where she used to visit her now disappeared paternal grandmother.  Nothing has happened there since the Voodoo Wars, a period of violence with the Others (vampires, etc).  Of course, this is the night she gets abducted by a gang of vampires.  They chain her in this old mansion in the ritzy part of the woods, along with another vampire.  It is here we learn that Sunshine is part sorcerer on her father’s side.  The two help each other escape, leading to an ultimate showdown between the bad vampires and Sunshine and Con.

Throughout the book, the info dumping tells us about life after the Voodoo Wars.  It’s interesting, giving us many, many details about the Others and society’s response to them.  There’s an organization called SOF whose whole goal is to mitigate the expansion of the Other population, most specifically, the vampires.  After Sunshine’s two-day disappearance, the SOF deems her a person of interest in a vampire investigation, mostly because she won’t tell anyone what really happened.  In fact, she keeps the events, actually most of the supernatural events, secret from the SOF, her family, and most of all, herself.  So when the info dumping isn’t world building, it’s letting us in on Sunshine unhealthily dealing with her trauma.  This sounds like it should be good for character development, but it made for so much digression, I often had to go back several pages and read the single lines of dialogue to figure out what was going on.

One thing I liked about it was that there was no paranormal romance, even though this book is described as one.  It is really about a bond after a traumatic experience.  There is one scene where some sexual tension happens, but it is very short.  It seemed like its point was to give more details about vampire physiology and the confusion around survivor relationships than anything else.

I like vampire novels.  I really do.  But this one just didn’t do it for me.  This book has a ton of high ratings on Worlds Without End and pretty good reviews on Goodreads.  So I’d suggest reading some of those before basing your desire to read this book on my review alone.  I could be totally off base.  But this book just wasn’t my cup of tea.  I give it two stars out of five.  I found myself constantly falling asleep during the long info dumps and having to put it down every twenty pages or so to shake the boredom from my head.  

Wednesday, December 1, 2021

Bridge of Birds

Barry Hughart
Completed 12/1/2021, Reviewed 12/1/2021
5 stars

Interesting change of pace.  This book is subtitled by Hughart as “A Novel of an Ancient China That Never Was”.  It’s a quest story in which mythology and fairy tales play a key role.  I don’t know much about Chinese fairy tales and mythology, so I don’t know if the fairy tales are close to actual ones, or if they are all made up.  But it is a marvelous book, where the protagonist is confronted with these tales and tries to put together a solution to a mystery that will save a village full of children and right an ancient wrong.  This book won both the Mythopoeic and World Fantasy Awards in ‘85-‘86. 

The story begins with a young man nicknamed Number Ten Ox.  In his village there is a plague that is only affecting 8– to 14-year-olds.  He is sent to Peking to find a scholar who can figure out the cause.  The only one he can afford is Master Li, a drunk old man.  Ox brings Li back, who determines the cause but the only antedote is the Great Root of Power.  Ox and Li go on a quest to find it.  On the way, they begin to unravel the mystery of a princess and a beggar, the tale of which seems to hold the key to finding the Root.  At each step of the way, they come across tales of magic and deceit that harken back to fairy tales and involve a few of the many gods of China.  

I was pleasantly surprised by this book.  I’m not a huge fan of Asian mythology, probably because I have almost no experience with it, and there are so many gods.  So a fantasy rooted in it seemed daunting.  However, this book is a hoot, despite beginning on a somber note.  Ox and the perpetually drinking Master Li are a great duo with Li being the brains and Ox being the brawn.  They race across China over and over gathering tales and strange small artifacts.  Of course, they constantly get into trouble, but always have amazing and humorous escapes.  

The worldbuilding is wonderful.  Hughart creates a fantastic ancient China filled with gods, ghosts, monsters, and very colorful characters who help and/or hinder Ox and Master Li.  My favorite monster was the invisible crawling hand.  My favorite colorful character was Henpecked Ho.  You have to read the novel to learn about them, though.  To describe them gives away plot and motivation.  The prose was also scrumptious without being overbearing.  It took me a little longer to read this book than my last several reads, despite being on vacation.  I found that this book could not be read too quickly.  The story and descriptions need to be savored.  

I’m giving this book five stars out of five.  This is unusual for me in that I normally give this score to a book that nearly moves me to tears, or creates a strong emotional reaction.  This book didn’t exactly, but the story was so great and it put me in such a pleasant headspace that I didn’t want it to end.  The book and its sequels have been compared to Terry Pratchett, and I would agree.  It’s subtly and sometimes sarcastically funny, but not guffaw funny.  It will leave you with a big ol’ smile on your face.  It’s not in e-book format and I don’t know how available it is.  I had to get it from interlibrary loan.  But it was well worth tracking down.

Monday, November 29, 2021

Solstice Wood

Patricia A. McKillip
Completed 11/28/2021, Reviewed 11/29/2021
4 stars

Another great tale about the world of faerie.  Here, people try to keep the faerie realm confined to itself through the stitching of a sewing circle.  The stitching represents closed boundaries, like dams on magical rivers and thorny briar blocking entry to the woods.  It’s an interesting take on protecting normal people of our realm from accidently wandering into faerie realm, or worse, being stolen and replaced with a changeling.  McKillip is a terrific writer of prose, as I’ve just found out recently, and she also can handle great dialogue and suspenseful action.  This book won the Mythopoeic Award in 2007.  

Sylvia is a young woman who finds out the grandfather who helped raise her has died.  She only plans to go back home for a few days.  Her forceful grandmother, Iris, assumes she’ll stay longer.  Once there, she learns the truth about the monthly sewing circle, aka the Fiber Guild, at her ancestral home, Lynn Hall.  After the funeral, her nephew Tyler is taken by the faeries and exchanged with a changeling.  Then it’s up to Sylvia and the sewing circle to get Tyler back and reestablish the stitches that keep the faeries out of our realm.

This book is much different than Something Rich and Strange.  It has more action and dialogue, but it still sets a mood with its terrific prose.  McKillip is a wonderful writer.  I look forward to reading a few more of her award-winning books from my current challenge.  This book is actually a sequel to a much earlier book that sounds like it describes the origins of the Fiber Guild by Sylvia’s great-great-great-grandparents.  This book however stands on its own very well.

The narrative is in first person by five different characters:  Sylvia, Iris, Tyler, the changeling, and a guardian of Lynn Hall named Owen.  At first I was worried by there being so many voices, especially with this being such a short book (under 300 pages), but McKillip handles the differences very well.  Each voice is very distinct, and each character is very interesting.  Sylvia is a headstrong woman who doesn’t want to get stuck in her hometown by the equally headstrong Iris.  Tyler is a believable teen who misses his deceased father.  Owen has a secret love that he’s afraid would shatter the trust of Iris, and the changeling is wonderfully peculiar.  There are quite a few other characters in this book and most of them are well developed as well.  There are a lot of women in the Guild, and they run together a bit, but they are each very well defined at their introductions.  

The worldbuilding is awesome as well.  The Guild concept reminded me a little of “Weaveworld” by Clive Barker, a horror novel from the about thirty years ago where people were magically woven into a rug for safety from terrifying danger.  But this was different enough to satisfy me.  

I give this book four stars out of five.  I found it believable and suspenseful.  McKillip has quite an imagination and tells a great story.  She also does well with different characters and voices.  I’m amazed that I went so long (eight years, whew!) in my reading of fantasy and sci fi that I never came across her, even though I knew she was prolific and won many awards.   

Saturday, November 27, 2021

The Wood Wife

Terri Windling
Completed 11/27/2021, Reviewed 11/27/2021
4 stars

What a surprise.  This book was supposed to be part of Brian Froud’s Faerielands series, like Patricia McKillip’s Something Rich and Strange which I just read and reviewed.  However, as Windling worked on it, it grew into its own novel.  Still, Windling references Froud and his art in the novel and even dedicates the book to him.  The faeries in this book though are the spirits of the American Southwest.  Like the poet in her book, she’s British but moved to the Sonoran Desert and fell in love with it.  It shows, as this is like a love letter to the region.  In fact, it made me long for the high desert which I just visited earlier this year.  The sights, the sounds, the mythology, are all part of the experience of this book.  It won the Mythopoeic Award just two years after McKillip’s book.

Maggie Black is a writer who has been following the prize-winning poet Davis Cooper for years.  She had been corresponding with him ever since she tried to interview him many years ago.  When he suddenly dies under mysterious circumstances, she finds out he willed his property outside Tucson, Arizona to her.  She moves there to try to piece together the last few decades of his life, looking for his lost poems of the southwest and coming face to face with the spirits he encountered as well.  While there, she meets some of the renters on his property, including Johnny Foxxe, an attractive handyman and musician and Dora and Juan del Rio, a woman and her artist husband.  Together, they try to unlock the mystery of Cooper’s life and death and the strange forces and inhabitants of this magical land.

The greatest strength of this book is how Windling makes the desert experience come alive.  It reminded me of the first time I experienced Tucson many, many years ago, as well as my favorite place in the world, Moab, Utah.  The spirits are slow in appearing in the book, mostly relegated to the last third, but the buildup is great as well, getting to know Maggie and the people on the property.  I really liked her character.  A former poet herself, she put her career on pause and pursued magazine work to support herself and her husband at the time.  Once in Tucson, however, she begins to experience her own re-acknowledgement of her passion for writing poetry.

Needless to say, the world building is amazing in this book:  the desert and the development of the spirits interacting with Maggie and the others come alive in a way I haven’t experienced in a book.  Granted, I never read Edward Abbey, something I eventually want to do.  The prose is wonderful, but the strength of the book lies in the telling of the story through dialogue.  It slowly unravels the mystery of the desert denizens rather than through big info dumps.  

I also liked the supporting players.  Fox and Dora are particularly interesting.  They are definitely part of the landscape of the desert.  Fox is looking for that deep, spiritual connection to the land that Cooper had and experienced by Tomas, one of the other residents of Cooper’s land.  Dora supports her husband artist, Juan, suppressing her own inner artist, similarly to Maggie.  They all are very lifelike, three-dimensional characters, people you wish you had as neighbors in the desert.

I give this book four stars out of five.  It touched on my love of desert places in an entertaining, non-preachy way.  It translated the faerie world into the heart of the southwest.  The result was a new mythology straight out of Windling’s imagination, but still feeling indigenous to the region.  It was a refreshing break from the typical pastoral British faerie realm, something that I could relate to.  

Thursday, November 25, 2021

Something Rich and Strange

Patricia A. McKillip, Brian Froud (illustrator)
Completed 11/25/2021, Reviewed 11/25/2021
4 stars

This was a beautiful book, both story and art.  Froud made fifty drawings and gave them to several authors to create a story inspired by the art.  This is McKillip’s result.  It explores the interaction of humans with the realm of Faeries under the sea.   This book is definitely a mood piece.  Lots of description of surroundings, especially underwater, and lots of emotions or lack thereof.  It’s a short book, maybe just a little longer than a novella, so it works.  If it was another hundred pages, I think I would have been longing for more action.  This book won the Mythopoeic Award for 1995.

Megan and Jonah live in a seaside town, perhaps on the Oregon coast.  Megan is an artist; Jonah owns a tourist shop.  One day, a strange man named Adam comes into the shop to see if Jonah will sell his art pieces.  Jonah doesn’t want to deal with him, so Megan does.  She becomes strangely entranced by him.  That night, Jonah goes to a bar that has music and a strange woman appears with the band and sings one song, entrancing Jonah.  He becomes obsessed with finding her.  Adam keeps appearing to Megan.  These sightings and obsessions lead them back to the sea and tries to tear the couple apart.

The prose is really the star of this book.  It gives us great characterization as well as world building.  Both Megan and Jonah are somewhat complacent in their relationship, particularly Jonah.  He just downright doesn’t like people.  Megan is consumed by her art, sketches of the sea and its life, and Jonah is her critic.  The sea is basically another character in the book, personified by Adam and the singer.  The singer eventually draws Jonah into its depths and Adam helps Megan find him.  

The world building is awesome as well.  McKillip goes into great detail as Jonah and Megan wander around the sea.  It’s beautiful and terrifying.  I can see why this book won the Mythopoeic, mixing the world of Faerie with the prose of the sea.  It’s a nice change-up of the usual faeire tropes, but still sticks to its basic premises.  

The artwork in this book is really wild: beautiful, frightening, and weird.  If you don’t know who Brian Froud is, he’s the artistic genius behind “The Dark Crystal” and “Labyrinth”.  He’s also well known for his book “Faeries”, which came out several decades ago.  The books written by the different artists based on his artwork are collectively known as “Brian Froud’s Faerielands”.  The other authors who contributed are Charles de Lint, Terri Windling, and Midori Snyder.  These other books are now on my TBR list 😊

I give this book four out of five stars.  It’s so beautifully written; it’s breathtaking.  It’s my first McKillip book.  I think I have three more in my Mythopoeic and World Fantasy Awards challenge.  I really look forward to those as well.  In fact, I have one of her other books now and will be reading it shortly.  I think this book is out of print.  I had to get it from a library a few counties over.  If you can get your hands on it, I think most people will really enjoy it. 

Tuesday, November 23, 2021

The Folk of the Air

Peter S. Beagle
Completed 11/22/2021, Reviewed 11/22/2021
3 stars

This was Beagle’s first novel after “The Last Unicorn”.  Written nearly twenty years later, it is more urban fantasy than pure fantasy.  It explores what he calls the League for Archaic Pleasures, which is nothing more than a thinly veiled Society for Creative Anachronisms (SCA), and throws some magic into it.  I liked the basic plot and the prose, but I thought the pacing was way too slow.  It suffers from too many descriptions of the different activities and inner workings of the LAP.  On the other hand, it is quite the world-building, describing the LAP and imbuing it with gods and magic.  This book won the Mythopoeic Award in 1987.

Joe Farrell is a musician, traveling the country and the world going from job to job, never settling down.  He currently plays a beautiful lute.  He comes back to Avicenna (a thinly disguised Berkeley) and pops in on his old roommate Ben.  Ben’s lover is Sia, an older woman who has the feel of being more than she seems.  Farrell stays with them for a while.  He also connects with his old girlfriend Julie who introduces him to the LAP.  He reluctantly gets involved, joining the little music band, and wowing everyone with his lute playing.  One night, he comes across a fifteen-year-old in the woods near the LAP gathering conjuring something.  It’s not a demon, but someone named Nicholas Bonner.  Bonner turns out to be more dangerous than she bargained for.  Soon Farrell, Julie, and Ben become involved with trying to keep Bonner from destroying the LAP, a god, and possibly more.

The best part of this book is the LAP, or for all intents and purposes, the SCA.  Even though the descriptions of the activities are way to long and detailed, it’s pretty interesting.  The events, the music, the costumes, the dancing, the battles, the training, the hierarchy, all go into the creation of quite the setting.  Farrell is at first pretty cynical about it all, angering Julie who not only makes her own costumes but has made her own chain mail armor.  But then Farrell buys into it, particularly as an outlet for playing his lute.  It gets even more interesting when Aiffe, the fifteen-year-old, conjures Bonner.  Aiffe is basically a wizard gone amok.  She has the maturity of a kid, but the powers of an adult, and Bonner feeds into both for her, making her his dangerous pawn.  

I was also impressed with the diversity of the characters, especially for the mid-80s.  Julie is Asian American.  There are several African American participants in the LAP, one of whom, who goes by the name of Hamid, is an important secondary character.  And the women aren’t just arm candy for the men.  Julie is a self-determined, self-sufficient person.  Sia is a plus-sized older woman in a relationship with the middle-aged Ben.  And Aiffe, with Thomas, are the baddies.  

While I identified with many of the characters (being a Renfest and Sci Fi convention nerd), I never felt deep empathy with any of them.  I liked the characters, I thought they were three-dimensional, but I think the pacing got in the way of this too.  I just wanted the story to move.  

I give this book three stars out of five.  It’s decent, it’s just not up to Unicorn or In Calabria.  I think people who are more into SCA and role playing than I may find this much more engrossing.  Beagle has another Mythopoeic winning novel, Tamsin, which I’ll probably be reading in December.  It’s a later book like Calabria, so I’m hoping it’s a better told tale than this was. 

Sunday, November 21, 2021

The Stress of Her Regard

Tim Powers
Completed 11/19/2021, Reviewed 11/19/2021
3 stars

I liked this book but didn’t love it.  It’s a vampire novel set in an alternate early 1800s where the protagonist crosses paths with Lord Byron, Mary and Percy Shelley, and John Keats as he tries to destroy vampires.  The premise is good and the prose is gorgeous, but the pacing is slow.  For a 400+ page book with tiny print, the pacing needed to be tighter.  There were many times when I wanted to put the book down because nothing was happening.  Even the ending is slow.  But it’s basically a very good story.  It won the Mythopoeic Award in 1990.

Michael Crawford gets married and his wife is brutally murdered in the bed next to him on his wedding night.  During the night, while he thought he was having sex with his wife, he was actually with a vampire.  He meets Keats who identifies him as someone who draws vampires to themselves.  Then he meets Percy Shelley and Lord Byron, and together they try to relieve themselves of their vampires.  It’s difficult for the poets however, because their literary genius comes from the vampires, like muses.  But they all trudge forward in their quest, all to different ends.  Their quest is complicated however by Jennifer, Crawford’s wife’s twin sister.  She has multiple personality disorder and is on her own quest to kill Crawford.

The characterization is very good.  Particularly, I liked the poets.  I thought their characters were very well done.  The details of their lives and deaths are seamlessly woven into the story.  I thought Powers did a great job of bringing them to life and giving them personalities.  Even though Crawford is the main character, I had more empathy for the poets than I did for Crawford.  I thought he was kind of milquetoast.  His passion in conquering the vampires comes and goes, perhaps reflecting the unevenness of the pacing.  

The character I liked the best was Jennifer.  When she can’t deal with what’s going on around her, she becomes an automaton, moving mechanically.  Other times, she thinks she’s her dead sister Julia.  When she’s herself, she recites her times tables to avoid slipping into one of the other personalities.  Powers gave her a lot of depth and description, and she’s the only non-genteel woman in the story, aside from the succubi.  

The worldbuilding is quite phenomenal.  This is not your romantic vampire tale that has been so popular for so long.  Called the nephilim, they are seductive, evil, an insinuated into all aspects of life.  They are believed to be the giants who walked the earth in biblical times.  Then there are the neffies, the people who attract the vampires.  Once attached to a neffie, they slowly kill all the people around them until the vampires have them for themselves.  When a neffie dies, they become a vampire as well.  Vampires are prolific in this world, and their presence seems to derive from an Austrian ruler living in Italy during its occupation.  

I give this book three stars out of five.  It’s slow and dense, but interesting and beautifully written.  Apparently, most of Power’s books are quite dense.  I’ll find out when I read his World Fantasy Award winner, probably next year.  I think people who like vampire novels will find this different, intriguing, and worth the read.  While I like vampire novels myself, I much prefer stories that move a little more than this one did.  

Friday, November 19, 2021

A Midsummer Tempest

Poul Anderson
Completed 11/14/2021, Reviewed 11/14/2021
2 stars

I didn’t like this book.  The concept is great, an alternate Reformation era where Shakespeare was an historian and all the stories of magic and faeries are real.  Unfortunately, the author not only uses 17th century words and sentence structure, but spells out the accents.  It makes for extremely tedious reading.  And it seems like the character with the toughest accent speaks the most.  It cut my reading speed down by over a half and reduced my comprehension as well.  This book won the Mythopoeic Award in 1975 and was nominated for a few others.  If I wasn’t committed to reading all the Mythopoeic winners, this would have been a DNF.

The story begins with Prince Rupert.  He’s been captured by Cromwell’s forces and is being held in a castle of one of the chief supporters of the revolution.  There he falls in love with Jennifer, the supporter’s niece.  She helps him escape with the assistance of one of Rupert’s men, William Fairweather.  In the forest, they meet Oberon and Tatiana, the King and Queen of Faeries from “A Midsummer’s Night Dream”.  They commission the humans to find Prospero’s books to help with the war against the Puritans.  Jennifer returns home only to be beaten and tortured as a whore of Satan.  Rupert and Will keep running, almost getting captured several times before they end up on a boat to Prospero’s island.  

One aspect I did like in this book was that the steam engine had been invented and there were trains crisscrossing England.  The anachronism is noted by alternate-universe-travelers whom Rupert and Will come across at the Phoenix Inn.  The encounter is comical and thankfully fairly easy to read because the travelers speak modern English.  

I didn’t find anything really special about the characters.  I didn’t empathize with any of them, although I cringed during Jennifer’s torture and abuse at the hands of her uncle.  She did have a sly mouth, but despite that, she was pretty much a stock female character.  In fact, she one of the few female characters in the book.  Rupert was not very multidimensional either.  I thought his character was boring.  Will, I liked.  Unfortunately, he’s the character with the thickest accent.  This is an example of what he says:

"Well, I too ‘ud swap theeäzam peärs an’ pomp-granites for a zingle bowl o’ hot oätmeäl topped wi’ cream an’ honey; an’ this zaber o’ miäne ‘ud liefer carve a Cheddar cheese than a traїl to glory."

Now imagine paragraphs of that.  Yeah.  And that’s just one of the accents.  Fortunately, Rupert and Jennifer speak relatively plainly, in an Elizabethan manner.  

The prose was okay.  There were occasionally sentences that would make me stop to consider why Anderson would choose that word or that sentence structure, but not always in a good way.  The world building is good, a direct reflection of the basic conceit.  

I give the book two stars out of five for the premise and the diligence with which Anderson maintained the spelling of the accents.  But it made this book tough going.  I’ve only ever read a short story of his and didn’t care for it either.  I think I’m going to have to find another novel by him eventually to give him one more chance.  I’ll be sure to do some research before I choose because he was very prolific and I want to pick one that’s supposed to be one of his better books.

Tuesday, November 16, 2021


Ken Greenwood
Completed 11/12/2021, Reviewed 11/15/2021
4 stars

Very interesting book.  It’s sort of a “Groundhog Day” premise except the main character dies at 43 and goes back to age 18, over and over.  I thought it would get boring but Greenwood finds a way to keep the cycles fresh and reader interested.  The main character starts out pursuing wealth and sex and slowly grows as the cycles continue.  He develops real depth as he realizes what’s really important in life and how it all gets swept away at the end of one’s life.  This book won the World Fantasy Award in 1988.

Jeff Winston is the main character.  When he suddenly dies of a fatal heart attack at age 43, he wakes up in his 18-year-old body in 1963.  It takes him a while to realize and accept what happened until he looks in the mirror and sees his younger self.  He struggles with the idea of starting college all over again, knowing what he knows about the rest of his life.  As the first leg of the Triple Crown approaches, he realizes he knows the surprise outcome of the race and makes a bet with everything he has and can borrow.  He makes other bets on outcomes he knows and soon leaves college to become a financial wizard, investing in all the companies he knows will make it big in the coming decades.  When he dies at 43 and has to start over at 18 again, he feels like life is futile and pursues meaningless sex.  The cycles continue and each time, he makes changes to give his life some meaning, until one day, he meets someone who seems to be “replaying” as well.

There have been several stories with this “Groundhog Day” time travel trope.  I know I’ve read at least one before, but I don’t remember the title or the year it was published.  This novel may have been the first.  And unlike the movie, Jeff’s life doesn’t stop replaying when he learns the true meaning of life or when he falls in love.  There’s a twist to the replays which Jeff can’t control.  There’s even one cycle where he tries to get scientists to figure out what is going on, which of course never gets resolved.  The “replay” is a deep well of existential crisis and unforgiving despair.  And when another person gets involved, it becomes that much more complex.  

I liked Jeff’s character even though he comes across as a little old fashioned.  He’s not a chauvinist or very toxically male.  He just says things and hides his emotions in ways that you’d expect of someone growing up in the 50s and 60s.  It made it tough to empathize with him, particularly during his hedonistic replay.  But when he finally meets Pamela who is also replaying, I warmed up to him much better.  

The prose is pretty straight forward.  Unlike most fantasy novels, it’s not warm and fuzzy.  It reads almost journalistically and I found myself zooming through without getting bogged down in the descriptions.  Still, there are details that authenticate the time periods Jeff relives, making each replay that much more interesting.

I give this book four stars out of five.  It surprised me.  I really enjoyed it.  It tugged on my own existential angst, making me reflect on some of my choices in my own life.  Although at sixty, it may not be all that uncommon.  I think it does signify the strength of the book, albeit all good literature, in that it makes one look at themselves with perhaps a new perspective outside of their comfort zone.

Sunday, November 14, 2021

The Antelope Wife

Louise Erdrich
Completed 11/9/2021, Reviewed 11/9/2021
3 stars

This was a very tough book to read.  It has a disjointed and only slightly linear narrative.  It’s about a family of Ojibwa Native Americans over multiple generations and their relationships, myths, ancestors, and cultural struggles.  The prose is beautiful, but the book is simply hard to follow.  I started to get it about halfway through, but it took a lot of concentration.  It won the World Fantasy Award in 1999, although there is very little fantasy.  It’s more like magical realism, but even that is very tempered.

There isn’t much plot.  It’s more like a collection of stories surrounding a large family.  The book begins with a soldier fighting a tribe of Ojibwa, but deserting after killing a woman.  As he runs, he sees a dog running with a swaddled infant tied to its back.  He eventually befriends the dog and raises the child.  The child becomes an ancestor to the main characters.

Fast forward to the present.  In one scene, a trader kidnaps a woman who is part antelope.  He takes her as his wife but it soon becomes evident who the real captive is.  In another scene, we meet a family in chaos as the parents of twin girls begin separating.  In another, one of the twins moves to Minneapolis and works at a bakery owned by the man who had an affair with the twin’s mother.  She’s also searching the city for her grandmothers who also live there.  Another scene is told from the point of view of a dog, an Indian dog, who learns enough lessons to avoid being made into soup.  His name is Almost Soup.  

The prose, as I noted above, is wonderful.  Each story could almost be a standalone short piece.  Eventually, they all intertwine, but getting there is so difficult.  I was lost for a good part of the first half of the book.  Fortunately, one of the main characters, Cally, the twin who leaves for the city, does get a fair amount of narration time.  I did develop empathy for her about the same time I started to piece together who was related to whom and all the disjointed threads started to come together.  

From reading other reviews, these characters appear in other novels by Erdrich, so I might have been missing some character development and backstory.  But once I got it, it mostly made sense.  I really liked Cally and the grandmothers.  Their interactions had some humor to them.  I didn’t care for Cally’s mother.  She’s the type of person who continually makes bad choices and doesn’t get any redemption until the very end.  It was hard to read about the alcoholism of a couple of characters, particularly that of Cally’s father’s descent.  It’s not pretty and it its affect on the other characters is devastating to watch.

The whole myth of the antelope wife was kind of lost on me.  I didn’t see exactly how she related to the rest of the characters.  She appears throughout the book, but I don’t see how she affected everyone.  Mostly she brackets the book, the majority of the interaction with her taking place near the beginning of the book and near its end.  To me she was more of an observer than an influencer.  

I give this book three stars out of five.  The disjointed form was too much for me.  I didn’t like not being able to tell what the point of the book was for over half of it. It made it difficult to appreciate the prose.  I also struggle with this winning a fantasy award, as I didn’t think there was much.  I probably won’t get around to reading other books by her as most of the books about these characters are not considered fantasy at all.

Thursday, November 11, 2021

The Uncertain Places

Lisa Goldstein
Completed 11/7/2021, Reviewed 11/8/2021
3 stars

Another book about the realm of Faerie.  This one involves generations of a family where daughters are taken to fight in a never-ending war.  This book feels a little more like fluff than Thomas the Rhymer, probably because the prose is not as scrumptious and there’s a lot more action.  It also is a play on the fairy tale trope of the prince saving the princess, in this case, a young college student trying to save his girlfriend and her family from an ancient bargain with the Faeries.  It won the Mythopoeic Award in 2021.  

Will gets setup on a blind date with his roommate Ben’s girlfriend’s sister Livvy.  They hit is off and everything is going well until she falls asleep and can’t be woken.  Her family acts as if this is normal.  Will and Ben piece together that her condition is caused by a bargain made with the Faeries, as told in a lost Brothers Grimm fairy tale.  Will saves Livvy from the bargain and everything goes swimmingly until their son Nick falls asleep years later.  Then Will, Ben, Livvy, her sisters Rose and Maddie, and her mother Sylvie set off to Faerie to try to reclaim him and break the bargain.

I really liked the plot of this story. There’s a lot of action and the pace is quick and exciting.  In fact, I read this short novel in a day.  But as a consequence, the characterization suffered.  The characters feel a little wooden.  I never felt empathy for Will, despite him being the narrator.  There are times he comes across as a buffoon, thinking he can save Livvy when the family doesn’t even want her to be “saved”. And Sylvie and the sisters are all one dimensional.  Whenever Goldstein tries to introduce depth, it feels forced.  This is particularly true of Rose, who complains that she was ignored as a child because everyone thought she would be the one taken by the Faeries, not Livvy.  It feels more like a surprise reveal than a piece of who she is.

The world building is pretty cool though.  When all of them cross into the realm, it’s full of fractured fairy tale tropes.  One fun one is the frog who when thrown against the wall becomes a dashing prince who is supposed to marry the thrower.  Another more obscure but amusing one is the people who are bound to clean houses in the middle of the night for fifty years.  

Despite its flaws, I really enjoyed the book.  I give it three stars out of five, a solid good.  The complexity and pacing of the plot kept me from groaning at Will and his choices.  I really liked when they all went into the Faerie realm, even though there was a lot of info dumping there.  Having read about seven Mythopoeic winners pretty much back-to-back, I’m starting to realize what is meant by “a book written in the spirit of the Inklings”, the criteria of the award.  (The Inklings were the little society Tolkien and C. S. Lewis had with several other writers at Oxford).  It means that the book is a fantasy based on fairy tales, myth, or folklore.  I look forward to continuing my journey through the winners of the award to see if other patterns emerge.

Tuesday, November 9, 2021

Thomas the Rhymer

Ellen Kushner
Completed 11/7/2021, Reviewed 11/8/2021
4 stars

This book is about the Elves and the realm of the Faerie.  It is based on an ancient legend of a minstrel who is taken by the Elf Queen and returned seven years later with the gift of only telling the truth.  The book is one of the most detailed accounts of going into Faerie that I’ve ever read.  It’s extrapolated from the little that remains of the legend into a surprisingly personal story.  It’s beautifully written, full of excitement and despair.  It won both the Mythopoeic and the World Fantasy Awards in 1991.

Thomas is a minstrel who shows up on the doorstep of Gavin and Meg.  Offering him the traditional hospitality of the time, the three become good friends.  Thomas comes and goes, performing his talents across the region.  In the meantime, he falls in love with Elspeth, though he does not seduce and use her like he does other women.  One day, he seduced by the Queen of Elfland and whisked away as her companion for seven years.  When he comes back, he can only tell the truth as he tries to re-establish his relationships with Meg, Gavin, and mostly Elspeth.  

With only four main human characters, the characterization is simply marvelous.  There are four chapters, one told from each of their perspectives.  So we get very three dimensional characters with whom we can empathize with.  The longest and most detailed chapter is that told by Thomas when he is in Elfland.  There, he is commanded by the Queen to only speak to her unless he is performing a song.  He longs for home, but is under the glamour of the Queen and thus deeply obsessed with her.  His time in Elfland is not without its hazards as he is much taunted and abused by her brother, only known as Hunter.  In addition, he finds a bird that cries blood tears and seems to be another human, or at least the spirit of one.  Without the ability to communicate, he tries to find a way to release the spirit to save it from the Hunter.

The elves are also well-developed, especially the Queen, as you might expect.  But one entity who steals the show is the invisible servant assigned to Thomas.  I really liked how the servant took care of Thomas and tried to protect him from Hunter.  It’s the one bit of compassion that Thomas gets while in Elfland.  It also adds a bit of humor to the story.

It took me a while to get into the story.  We spend a lot of time getting to know Thomas and the others before getting to Elfland.  And even during his time in Elfland, the pacing occasionally lost some traction.  But overall it’s a very entertaining tale.  The prose is wonderful without being overbearing.  I give this book four stars out of five.  This book was much better than Kushner’s Swordspoint, which I didn’t care for at all.  With the magic and the songs and the elves, it was just, well, a magical read.

Sunday, November 7, 2021

The Crystal Cave

Mary Stewart
Completed 11/6/2021, Reviewed 11/7/2021
4 stars

This was a beautifully written book, but I didn’t really care for it.  It had amazing world-building and prose, with very detailed descriptions of places and peoples and things.  However, I felt it got in the way of the story.  In addition, a lot of it was court intrigue, something I’m hot or cold with.  Here, I was cold.  This book is considered a classic though.  It won the very first Mythopoeic Award in 1971.  It has a huge following.  Perhaps if I had read it earlier in my life, I might have liked it more.  I think I may just have read too many books by authors that were inspired by this one.

The book is about Merlin’s early life, leading up to the conception of King Arthur.  Here, Merlin is presented as a bastard son of a Welsh King’s daughter.  The princess never told him or anyone who the father really was, instead weaving a tale of being seduced by an incubus.  And instead of marrying, her plan is to enter the convent once Merlin is an adult.  His uncle despises him, since he is a potential rival to the throne.  His only refuge is a hermit he meets in a cave who teaches him languages and other subjects, as well as something about his magical gift of seeing the future.  When the King dies suddenly, Merlin flees but is captured by spies from Less Britain (which I think is Brittany) and take him to see their king.  There he grows under King Ambrosius’ tutelage before returning to Wales.

The characterization is quite excellent.  Merlin is a complex character, even at the young age in which the book begins.  He does evoke a lot of pathos, as he is bullied, mistrusted, and mistreated by his family and peers.  When he finally gets to Less Britain, it is a relief to see him appreciated and fostered by their King.  He also gets answers to some of the questions in his own life.  The one thing I didn’t care for was the lack of women in the story.  There’s basically his mother and a novice at the convent.  Oh, and his nurse.  That’s it.  They don’t have much of a role except to better understand Merlin.

The use of magic was interesting.  Merlin has the ability to see the future, as well as see what’s happening elsewhere, the latter most effectively when in the Crystal Cave.  He doesn’t have abracadabra type magic.  However, he does gain notoriety as a prophet and a magician.  The reality is a lot more pragmatic.  What seems to be magic is mostly smart engineering.  I found this engrossing, particularly when moving a large rock from Ireland to Stonehenge.  Seeing the future however is much more unexplainable.  And when it happens, it is very dramatic.  

The story is based a discredited version of Merlin’s life, low in facts, but rich in storytelling.  Stewart credits this account in her book.  And it does make for a good story, just one that didn’t grab me much.  I liked when Merlin was actually doing things and engaging with other characters.  This happens more in the last third of the book, but it wasn’t enough to really hook me.  I give this book four stars out of five because I recognize that this is excellent storytelling with beautiful prose.  And I can see why it became an instant classic fifty years ago.  It just wasn’t my cup of tea.  Her second book in the series also won a Mythopoeic Award, so I will be reading that, but probably won’t read any further.

Tuesday, November 2, 2021

Digger: The Complete Omnibus

Ursula Vernon
Completed 11/1/2021, Reviewed 11/1/2021
5 stars

This book is a Graphic Novel series of six volumes, brought together with some additional appendices in one massive 800-page edition.  The series won the Mythopoeic Award in 2013.  I believe it’s the only GN to ever win the Mythopoeic.  It also won the Hugo for Graphic Story.  And it is a delight!  The black and white drawings come alive in this story about an atheist wombat engineer who loses her way and finds herself in a land of mythology and religion.  She ends up in a quest along side friends who were once enemies.  It’s funny, thought-provoking, light-hearted and intense.  I absolutely loved it. 

Digger is digging underground when she comes upon a gas pocket that causes her to hallucinate.  She keeps going and going until she recovers her senses.  She realizes she is completely lost and decides to dig upward.  She comes out in a temple with a large wooden statue of Ganesh that speaks to her.  She wants to find her way home, but the statue does not know where her home is.  She leaves, trying to find her way and comes upon a hyena who has been exiled from his tribe.  She convinces him not to eat her and they actually become friends.  Along the way, she also meets a small naïve demon she calls Shadowchild, an oracular slug, the tribe that the hyena is from, and an order of veiled priests.  Eventually, Digger ends up on a quest to find a way to kill a nearly dead god.

The book is very long and has lots of twists and turns.  At six volumes and twelve chapters, it’s simply packed with plot.  My above plot summary barely touches everything Digger is up against.  But the writing is tremendous.  It keeps you going even when it gets philosophical and theological.  It’s not heavy-handed either.  It flows quite naturally throughout the book.

Digger is a wombat and there are other talking animals as well.  But they aren’t just anthropomorphic characters, that is, they are not just people disguised as animals.  The wombat has wombat characteristics to her personality, the hyenas likewise.  There are humans and they are very human.  All the characters are relatable.  Digger is pragmatic and industrious, and has a knack of turning dangerous people into friends.  She is tremendous, but Ed, the exiled hyena steals the show.  He’s a tattoo artist.  He speaks primitively, compared to the other hyenas, but is friendly and loyal to a fault.  He always offers Digger warrior tea and listens to Digger’s frustrations.  Ed is a gentle soul and simply lovable.  

One of the great things about this book is that there are so many strong, multidimensional female characters, yet the male characters are also great.  There’s only one bad guy in the bunch, aside from a few demons and the guardians of the nearly dead god.  The characters have flaws, too.  They are not all Mary and Gary Sues.  Perhaps most significantly, there is a young woman who joined the priesthood at a young age but now suffers from crippling anxiety.  But even though she can barely function in dangerous situations, she is on a hero’s journey as well.  The choices Vernon made in designing these characters work amazingly well.

The world that Vernon created is stupendous.  There are gods we know, gods we don’t.  The hyenas are based on real-world indigenous Brazilian tribes and their culture and mythology that Vernon learned about in a college course.  There are also trolls which are very non-Tolkienian.  And they fit right into this amazing world.  It’s so creative, it still blows my mind as I write this review.

I give this book five stars out of five.  The story is beautiful and the art is expressive.  I fell in love with Digger, Ed, and the others and was devastated by a death near the end.  And despite the 800 pages, I wanted the book to keep going.  Fortunately, there are special features at the end, including a short story about the carver of the statue of Ganesh and guides to moles and trolls.  So you get a little more after the story is done.  But this book really had me from the start and found a special place in heart.  I highly recommend it if you can get your hands on it.  My county library system had it, for which I am truly grateful.