The Spear Cuts Through Water

Simon Jimenez
Completed 3/12/2026, Reviewed 3/12/2026
5 stars

This is a very complex novel, both in form and story telling style.  It is a story within a story within a story.  It changes between first, second, and third person at the drop of a hat.  The prose is lush and stylistic.  All that combined would usually turn me off a book.  I don’t mind making an effort to read a complex book, but sometimes it’s too much and I can’t remain in the headspace to get everything out of it.  With this book, I found it a compelling challenge that I wanted to conquer.  I was rewarded with a superb tale that kept me driven to finish.  This book won the 2023 Robert Holdstock Award which is the British Fantasy Society award for Fantasy (there is a separate BFS award for Horror).  

The main plot is about two teens, Jun and Keema.  Jun is the grandson of the Emperor.  His father and uncles are known as the Terrors.  They are cruel and sadistic.  Jun was in the Red Peacock army of his father and had a red peacock tattooed on his face.  He now has to cover his face with a mask to avoid being associated with his father’s evil army.  He is on a mission to get his grandmother, the Moon Goddess, to the sea so that she can break the curse of the turtle communication system and bring down the Emperor.  By chance of fate, he meets Keema, a one-armed teen and last survivor of the Daware tribe.  He promised his captain that he will deliver her Spear to the mysterious Shan who lives by the sea.  They work together on their missions with the primary goal of helping the Goddess bring down the Emperor and his sons and free the nation.  

This story line is told on the stage of the Inverted Theater, a place out of time, attended by shadows and one living human, the subject of the second person narration.  That person has transcended into this other dimension while being told the story by lola, their grandmother who keeps the story of their lineage and the mystery of their family’s possession of the Spear.  It takes a lot of effort to figure out that this is what’s happening.  Second person narration always throws me for a loop.  Then, when mixed with the third person telling of the story of Jun and Keema, and with first person comments from a myriad of major and minor characters, it makes for an extremely complicated book.  Yet, within the first fifty pages, I got the form figured out and was able to read the rest with minimal confusion.  The only remaining piece of complexity was the prose.  It is very lush, not just with the description and world building, but also with the movement of the plot.  There were times I missed key details and connections and regularly had to go back and reread a page or two.  

It took a while to warm up to both Jun and Keema.  They are young and carry an annoying false bravado.  They often got into fist fights, grappling, and wrestling over differences of opinion.  However, through this behavior coupled with the intense journey they are on together, they slowly fall in love.  It is new to both and they deny their feelings, mostly notably Jun who does not believe he is worthy of love after the atrocities he committed as a Red Peacock.  

One of the more interesting ideas in this book is the turtle communication network.  Long ago, the Moon Goddess “gifted” turtles with the ability to communicate with each other telepathically.  The emperors used this network for the spreading of news but also exploited it as a spy network.  The turtles can speak to humans as well and have an empathic ability to sense what is going on inside people.  I found this to be very unique and creative, a sort of ansible for fantasy.

This book is not for everyone.  It is a difficult read, requiring attention and patience.  If you go into it knowing this, it will help you understand what’s going on quickly.  If you need a straightforward narrative, this is not the book for you.  I found the world building astounding and the prose simply delicious.  After getting used to bopping between the narrative voices, I had no trouble following it.  In fact, when it jumped back to second person and lola’s storytelling scenes, it was a nice break from the intensity of the action in the Jun and Keema narrative.  This book should have been shortlisted for more awards, but I can see how its complexity may have put off some readers and nominating committees.  Leave it to the British to embrace such a magnificent, well-crafted, complicated book.  I give it five stars out of five.  

Heated Rivalry

Rachel Reid
Completed 3/5/2026, Reviewed 3/9/2026
4 stars

Well, between Game Changer and this book, I watched the Heated Rivalry series.  So I had a lot of images already in my head, regardless of the fact that Ilya is described differently in the book (dark and hairy vs. blond and smooth).  My impression of the book was skewed by this.  I liked it much more than Game Changer, mostly because it shed a lot more light on the internal conflicts of the Ilya and Shane as their relationship progressed.  Despite the overuse of adverbs, I think this is the better novel.  I think the character arcs were stronger because of their inner dialogues.  Yes, the spicy content is as good as Changer.  And yes, I will continue to read this series.  And just to be clear, I was a hockey fan before the series 😊 from the early days of the Colorado Avalanche when I was living in Denver, with a nod to the Jersey Devils rubbed off from my hockey playing brothers.  

Since the series has become one of the most watched in recent history, with one of the episodes being the most watched ever, a plot summary seems moot, but here it goes.  Ilya is a Russian prospect for the NHL.  Shane is a Canadian prospect.  They meet at a junior championship match where they hook up.  They are drafted by two different teams and become the two hottest players in the NHL, and bitter rivals on the ice.  However, their hook ups continue when they play in the same city.  Eventually, their relationship becomes an obsession, hiding their true feelings for each other.  Both are afraid of their feelings and the repercussions if their story leaks.  Ilya, who is bisexual, has never felt this way with anyone before.  He also carries the weight of his exceedingly critical father and the financial demands of his brother and stepmother.  Shane struggles accepting that he is gay, and fears coming out to his hockey-crazed domineering mother.  So they try to find ways to hide their feelings and relationship until Scott and Kip from the previous book have their infamous kiss on the ice after Scott wins the championship cup.  And the floodgates of feelings are breached.

As I said above, it’s hard to separate this book from the series.  My biggest observation is that we see more of the internal struggles of Ilya and Shane, with neither wanting to admit they have fallen in love with each other.  This helped a lot, particularly with Ilya, who constantly throws barbs and sarcasm around as a way to hide his true feelings.  The series made him out to be more of a jerk in the first few episodes compared to the book’s first half.  His internal dialogue softened that behavior, making me more empathetic toward him.  Shane, in comparison, was vulnerable in both media.  

I don’t have much else to say about the book.  I thoroughly enjoyed it, though it took me a while to finish it, trying to read it while on the fun- and activity-filled Star Trek Cruise.  I do have the next couple of books in the series, so I’ll be getting to those soon after catching up on my genre fiction TBR and book club lists.  I give this book four stars out of five.  

Guess What? I Love You

Mike Maimone
Completed 2/21/2026, Reviewed 2/21/2026
5 stars

I discovered Mike Maimone on social media.  Clips of his music began showing up in my feeds, probably because I tend to view videos by gay musicians.  Mike was very different, with a gravelly Dr. John kind of voice and a distinctive blues/jazz/ballad fusion style.  With all those slashes, you can probably say he transcends styles.  I began following him and learned more about where he is in his life.  He is a widower, having lost his husband and soul mate from an aggressive form of leukemia less than a year after they met.  However, in that time, they both discovered they had found true love.  This book is Mike’s memoir of their relationship.

After more than ten albums, many as part of a band, Mike was going solo.  He was a single man trying the gay dating apps after two unsuccessful relationships.  This year was going to be different, it was going to be the year of saying “Yes,” opening himself to new experiences.  One night, he gets a hit on an app, an older man who was Mike’s type.  They began chatting long distance as Mike was working in Nashville and Howard was in LA.  Something clicked and they hit it off online.  When they finally met, it clicked again.  Soon Mike was falling head over heels for Howard.  They quickly began planning visits whenever their schedules allowed.  Then came talk of a long-term relationship.  On the next trip, Mike planned to propose to Howard when he got the call that Howard was very sick. 

I have not read many memoirs in the last twenty years, not since the days of David Sedaris and Augustin Burroughs.  Unlike those, this book is like a journal of finding the love of your life and then being devastated by loss of him in less than a year.  Mike is brutally honest about how they came to fall in love despite their many differences.  It’s filled with excitement, anxiousness, self-doubt, and humor.  Then he holds back nothing as he experiences the stages of grief during Howard’s short illness.  

My reaction to this book was instant love.  As a gay man myself, I could completely relate to those early stages of discovery in a relationship, where everything is new and exciting and sexy.  And having lived through a devastating breakup and more recently, the sudden loss of a close friend, his story hit me hard.  I read most of this book on a plane ride from Portland to Orlando for the Star Trek Cruise.  Despite my excitement of my trip and the distractions of a plane ride, I found myself immersed in Mike’s experience, my eyes leaking until we came in for our landing.  

This is a deeply personal account of love and loss.  You don’t have to be gay to get it.  The emotions transcend orientation.  And if the book wasn’t enough, Mike also released a companion album.  I don’t have any music apps, but I’ve listened to many clips, and the songs are just as gorgeous as this book. (This may be the push I need to get one so I can listen to the whole album uninterrupted).  I’ll probably never be able to look at a butterfly again without thinking about Mike and Howard.  I give this book five stars out of five.  

Dungeon Crawler Carl

Matt Dinniman
Completed 2/17/2026, Reviewed 2/18/2026
5 stars

This book was a hoot and a half.  It’s LitRPG, a hybrid genre of science fiction and/or fantasy with the mechanics of a role-playing game, like Dungeons and Dragons, where the characters are aware they are in an RPG.  It has quests, battles, loot, managing stats and inventory, and leveling up.  Being relatively new to DnD (only been playing consistently for two years) and never having read LitRPG before, I thoroughly enjoyed this.  It is a little cartoonish at times, but the main character has a well-developed character questioning the morality of the situation he is in.  It also has a snarky talking cat.  How can you not love that?

In the middle of the night, Coast Guard veteran Carl goes outside to fetch his possibly soon-to-be ex-girlfriend’s prize-winning cat, Princess Donut, which is up a tree.  Suddenly, every building within sight collapses into a pancake.  Only people who were outside at the time of the collapse survived.  The two enter a stairwell down which takes them into a dungeon, complete with exploding goblins, maniacal llamas, and goo slugs.  They find out they are in an RPG game along with all the other survivors of Earth.  It’s run by aliens and broadcast throughout the galaxy to trillions of viewers.  But this reality game show has a twist: when players die, they really die.  And if anyone survives all the way to level 18, that person will inherit the Earth.

While this book is really fun, it’s also quite gruesome.  Yeah, there’s gore, but the really unsettling part is that players die by the millions.  Also, some of the monsters were originally humans or aliens from a previous season.  There’s one particularly rough scene where Carl and Princess Donut are trying to kill a particularly horrifying and dangerous monster when Carl realizes it’s a woman begging for her life in Spanish.  At one point Carl and Donut come across a group of people from a senior nursing home who survived the apocalypse because their home was on fire.  They join the home’s four employees in trying to keep them alive until they can level up in level 3 and gain some powers.  I was surprised and impressed by these scenes.  Dinniman did a great job of integrating Carl’s morality into his situation.  It’s not just any action-adventure story.  It has heart.  Specifically, Carl has heart.

Princess Donut is also great.  Rather than just being categorized as a pet to Carl’s character, she gains the ability to speak, as well as special powers.  She becomes a playing character.  Dinniman keeps Donut in the mindset of a cat while still acquiring some human emotion.  She has many funny scenes in dialogue with Carl, namely whenever she references other men who come over when Carl is at work and moan and growl with his girlfriend behind closed doors.  She has no idea that she’s making Carl more miserable than the potentially fatal RPG situation he’s in.  

Another funny and gut-wrenching scene is when the two are pulled out for interviews, just like the behind the scenes interviews on shows like Survivor and American Idol.  While funny, they give Carl more opportunity to feel icky about his task at hand, i.e., killing to survive.  Note that there are a lot of funny scenes, but this aspect of Carl’s personality makes him much more three dimensional than your average action hero.

I’m going with five stars out of five on this book, only because it is so original to me, and as a DnD player, I could immerse myself in the story and into Carl’s character.  The action is fast paced, the writing is very readable, and the world building is marvelous.  Friends had been telling me I had to read this series.  I’m glad I finally did, even though it was for my online book club.  Now I’ve got to figure out how to fit the next seven books in the series into my ever-expanding TBR list.

The Sword of Shannara

Terry Brooks
Completed 2/9/2026, Reviewed 2/9/2026
2 stars

Ugh, what a slog!  This book was so derivative of Lord of the Rings that I couldn’t help myself from comparing the two through the whole read.  It was very overdramatic with almost no comic relief.  And while LOTR at least had three women characters, Shannara only had one, with a smaller role than Arwen.  I only liked three characters, a heroic and selfless dwarf, a rock troll, and a thief modeled after a character from The Prisoner of Zenda (per Wikipedia).  The book appears on a couple of “Best of..” lists.  My guess is because it was one of the first epic fantasy novels since LOTR to hit the mainstream, feeding the new generation of LOTR fans hungry for more of the same.  If I read it back when it was published in ’77, I might have liked it more.  But nearly fifty years later, it simply feels like sloppy fan fiction.  

Two diminutive brothers are visited by a strange Druid.  Allanon (whose pronunciation I could never divorce from the nearly identically spelled twelve step program) info dumps on the two that Shea is Flick’s adopted half-Elven brother.  Shea is the last of the Shannara line who can wield the Sword.  However, the Sword has been stolen by the evil and ancient Druid Brona.  Brona is trying to take over the world by pitting all the peoples against each other.  Shea must find the Sword and destroy Brona.  Along the way, he picks up his best friend and prince named Menion.  Flick also comes along.  They end up in a fellowship with a surly king named Balinor, a Dwarf named Hendel, and Elven brothers named Durin and Dayel.  They are chased by dark Skull Bearers, gnomes, and trolls.  Eventually they break apart.  Shea gets captured by gnomes and rescued by a thief and a rock troll.  They go off in search of the Sword.  The others go in search of Shea and to help defend the Southern Kingdom from Brona’s massive army of gnomes and trolls.  Oh yeah, there’s an outcast gnome that has an obsession with the Sword.

So yeah, it’s like Brooks took the plot points and characters of LOTR, threw in a sprinkling of Zenda, jumbled them in a sack, and pulled the elements out at random.  He did throw in a couple of other ideas, like the Sword being for good, not evil; the benevolent rock troll; a Siren; and a princess named Shirl in distress.  However, these could not distract me from obvious LOTR parallels.  

I never warmed up to most of the characters.  I did like Hendel the Dwarf.  He seemed like a caring, compassionate soul who went farther than the others in putting himself at risk for Shea.  I also liked Panamon Creel, the thief.  Despite being a tempestuous, one-handed trickster, he added some humor to Shea’s situation.  Keltset, his mute Rock Troll sidekick, was obviously a gentle giant with more secrets than any other character.  The best scenes were when Shea, Panamon, and Keltset were traveling together.  

Secrets was a big theme in this book.  Despite the myriad of expositions, Shea never fully understood the journey he was on.  Then he kept what he did learn from other characters like Flick and Panamon.  Allanon was big secret holder.  Balinor kept a lot to himself, particularly at the beginning of the book.  Everyone was afraid of telling everyone the whole truth about everything to spare each other feelings of fear or despair.  Reading all that was frustrating.  There would have been less trouble if people just told each other the truth.  

Brooks also used a common ploy to get more words down on the page by having each of the characters going over and over their situations in their heads.  Rather than add to the characterization, I found it tedious.  And the info dumps were mind numbing.  

I could not get my heart in this book.  It took me nearly two weeks to read this doorstopper.  The only thing I really liked were the five illustrations by the Brothers Hildebrandt.  I loved their LOTR calendars in the mid ‘70s and the coffee table books of their art.  While they perpetuated ideas that were never mentioned in the books, such as the hobbits’ feet being oversized, Balrogs having wings, and Aragorn being broad and bearded, it was just great that someone had such detailed renderings of the events in the trilogy.  So when this book appeared in bookstores with a Hildebrandt cover, I was intrigued.  I bought the book as a teenager, but never read it.  Having finally done so, I can tell my younger self, “You didn’t miss much.”  Two stars out of five.

Children of Time

Adrian Tchaikovsky
Completed 1/26/2026, Reviewed 1/26/2026
5 stars

This book blew my socks off.  This is excellent space science fiction without being a space opera.  In my mind, and in the definition from several sources, a space opera is piece of fiction set in outer space with a typically simplistic and melodramatic nature.  This was anything but simplistic or melodramatic.  This was high drama featuring the evolution of uplifted spiders and the frustrations of a colony ship looking for a final home for the human race.  Despite taking nearly two weeks to finish this 600-page doorstopper, I ate this up.  This book won the 2016 Arthur C. Clarke award.  

The book opens with a planet that has been terraformed for colonization by humans.  However, as an experiment, a ship is about to plant monkeys on the planet with a virus constructed to uplift the monkeys, that is, to make them evolve into sentient beings quickly, hopefully similar to humans.  As the last survivor of an accident with the ship, the mastermind of the experiment, Kern, escapes to a shuttle and uploads her brain into its computer and hibernates.  The shuttle, as it orbits the planet, sends messages down, awaiting a response from intelligent monkeys.  Several thousand years later a colony ship from Earth containing the last surviving half million humans approaches the planet.  However, the shuttle doesn’t let them land to protect her monkeys, forcing them to look elsewhere for a new home.  Thus begins a conflict with the shuttle and on board the colony ship.  Meanwhile, an unexpected species begins to evolve.  Spiders.

A long plot summary for a long book.  The third person narration alternates chapters between the Kern and the evolving spiders, and later, between the spiders and a classicist on the colony ship named Holsten.  This provides an amazing narrative following generations upon generations of spiders.  It initially follows one, named Portia and her descendants, also named Portia.  While sounding strange, it gives a sense of continuity to the story, despite being different spiders.  It also follows Bianca and eventually, Fabian, a male spider.  Each spider character changes as the evolution progresses but keeping the names consistent over time was a stroke of genius.  Their character development goes from simple primal survival to full on mature personhood in a bio-tech society.  Sure, spiders are creepy, but being inside their minds over the centuries induces amazing empathy.

As for the humans, Kern is a dangerous megalomaniac.  When she uploads her mind to the shuttle, the result is terrifying.  On the colony ship, Holsten provides continuity with the human past, which becomes useful for translating to the old Empire language of Kern.  Holsten is a gentle soul, one of the oldest members of the Key Core crew.  He observes as well as participates but always seems to pause to consider the humanity of a given situation and of the actions of his crewmates.  He provides a great counterpoint to the more A-type personalities of the other leaders of the ship.  Despite there being a captain, a lead engineer, a lead security officer, and a lead scientist, Holsten is the one who has more introspection as he bounces in and out of hibernation.  He’s basically the moral barometer of the remnants of the human race.

There are a lot of themes running through the narrations:  the cost of survival, the definition of sentience and of what we would call humanity, equality of the sexes, religion, war, and technology.  It’s chock full of interesting insights that the spiders have as they grow as a species.  And it’s an interesting reflection on the human civilization that destroyed Earth.  It’s powerfully presented without being preachy.  I was constantly amazed at how it all played out as the spiders evolved.

I give this book five stars out of five.  I loved everything about this book, from the style of prose to the amazing climax.  I approached it cautiously because I had heard nothing but glowing reviews from friends whose reviews I usually agree with.  This book has been on my TBR pile for a long time.  As I said in previous reviews of Tchaikovsky, I regret having waited so long to get to it.  Now I can’t wait to jump into the rest of the series.  If you’d like to check out a shorter Tchaikovsky novel first, do read Service Model.  It was one of my favorites from last year.  

Ariadne

Jennifer Saint
Completed 1/13/2026, Reviewed 1/16/2026
2 stars

I did not enjoy reading this book.  It suffered from the same issues as Heavenly Tyrant.  We spend way too much time in the main character’s head.  The book is almost all prosy descriptions of the internal struggle Ariadne experiences throughout her life.  And she repeats the same things over and over again.  Theseus is a savior, Theseus is a jerk, Dionysus is a savior, Dionysus is a jerk, my sister is self-absorbed, the Minotaur suffers, I suffer.  Over and over again.  This book is touted as a feminist retelling of the half-sister of the Minotaur and her relationship with Theseus and Dionysus.  To me there wasn’t much feminism.  I felt like she never had a self-actualizing moment and she always needed to have a man save her. 

Ariadne is the daughter of Minos.  Her beloved mother goes catatonic after giving birth to the Minotaur whom Minos eventually stashes away in a labyrinth, feeding him evil folks and Athenians.  Ariadne takes pity on the Minotaur, both having the same mother, but is still afraid of him.  She has a sister Phaedra who is boisterous and more outwardly self-centered.  The two are very close nonetheless.  When Theseus arrives as a sacrifice to the Minotaur, Ariadne plots with him to kill it and escape her raging abusive father.  However, Theseus abandons her on a deserted island and tricks Phaedra into marrying him, eventually becoming the King and Queen of Athens.  Dionysus saves her from death and they fall in love.  Phaedra falls in love with Theseus’ son from his rape of the leader of the Amazons.  And everyone wants revenge against everyone.  A very Greek tragedy.  

I wanted to stick pins in my eyes during the first hundred or so pages of this book.  Despite my love of Greek mythology, I found the events leading up to Theseus’ arrival mind numbing.  It is almost all told from Ariadne’s POV.  There are chapters from Phaedra’s POV as well, but they mostly come later.  We spend all that time in Ariadne’s head as she ruminates on the same things over and over.  The book got more interesting when narrated by Phaedra.  She’s much more action oriented and has much more stoic and go-getter personality.  Things happen in Phaedra’s chapters.  The action in Ariadne’s chapters are lost in the mental anguish and reflection prose.  I never felt connected to either one and had no empathy for their situations.  Yes, it was all terrible and mostly abusive or manipulative, but I felt like a third party watching from afar, not wanting to get close to this shit show.

Greek mythology is full of huge egos, manipulations, sexual violence and abuse, and misogyny.  But I felt it was done much better by Madelaine Miller in Circe.  Yes, you’re in the head of an abused and maligned woman, but you want to be there.  I so didn’t want to be in Ariadne’s head.  After reading about two-thirds of the book, I jumped onto Wikipedia to read up on the actual story to see how close it was following the original myth.  Of course, being mostly passed down orally, there are multiple versions.  But I got the gist of it.  This book does follow the myth, though I think the author could have done so much more with it.  Instead, it felt like a dry novelization.  

I give this book two stars out of five.  I was going to go a little higher, but after reflecting on it, I remembered how terribly bored I was by the prose.  Saint has written several books that retell Greek myth but I have no interest in following up on that.  Madeline Miller is much better at the retelling/reinterpretation game.