Robert Jackson Bennett
Completed 6/20/2024, Reviewed 6/21/2024
4 stars
I was surprised by how much I liked this book. I hadn’t read Bennett since City of Stairs in 2018 and loved that book. However, I didn’t remember I had even read it until a friend found it in my blog and pointed it out to me. It was one of those really good books that just kind of slips out of mind considering the number of books I read a year. I’m hoping this one sticks in my head a little better. It’s a book club read and the first in a trilogy. It features a kind of industrialized magic in a place so entrenched in capitalism, government no longer exists and the ruling merchant houses abuse their power over the people. I found it a gripping statement on late-stage capitalism and the pursuit of the ultimate weapon to wipe out all the competition and remake the world. This book was nominated for a 2019 British Fantasy Award and a 2023 Best Series Hugo.
Sancia is an orphaned thief. She’s so good, she scores a lucrative deal to steal a powerful magical artifact from one of the merchant houses. Curiosity gets the best of her and she opens the plain box holding it. She finds an ornate key. When she touches it, it speaks to her. After forming a strange bond with it, she does not hand it over to her employer and she finds herself at the center of a grand chase by unknown assailants. Soon, she is in race to keep the key out of the hands of those who would use it to remake the world.
The book begins a little mundanely. It feels like standard fantasy fare with a thief and a treasure. It’s not until the key begins communicating with Sancia that the feel of the book takes a turn and it becomes completely engrossing. I found myself wanting to understand Sancia and Clef, the key, about her horrific past, and what that means for her relationship with the Clef. Then all the intrigue between the merchant houses and the system of magic all make sense and gives everyone their motivation.
The little group of people Sancia ends up working with consists of dicey characters. She has no reason to trust them except for the fact that there is no one else to trust. They are all generally likable, although they are all very flawed. The one character who seemed the most trustworthy was Berenice, with whom, Sancia has a little spark of a burgeoning romance. However, not much happens in this book. I assume their relationship takes off further in the series. Her two other companions, Gregor and Orso, I didn’t trust until the end of the book.
The book is very well written, with multi-dimensional characters and an unbelievably complex magic system and society. I was constantly amazed by unfolding description of the society, including its founding by a king who tried to tap into the power of the gods, that is, the making of everything. It kept me intrigued right up to the end, which of course leaves you hanging and wanting more. I don’t know if I’ll actually follow through on this trilogy, but I wouldn’t be averse to it.
I give this book four stars out of five. It’s exciting, fast paced, and one of the best world-building books I’ve read in a while. It felt very original and well thought out. I liked the main characters and eventually loved Sancia and was pained by her backstory. And I was pleasantly surprised by the little romance between her and Berenice. But the star of the book is Clef, the key. He ties everything together and makes what could have been just another thief fantasy something extraordinary.
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