The Daughter of Doctor Moreau

Silvia Moreno-Garcia
Completed 1/3/2024, Reviewed 1/3/2024
4 stars

Moreno-Garcia is an awesome writer.  Even when I find I’m not really into a book of hers, the writing keeps me going.  That’s what I discovered with this book.  I did not find it quite as compelling as the other books of hers I’ve read, Gods of Jade and Shadow and Mexican Gothic.  But the language is just astounding.   I also liked the premise, the Dr. Moreau story set against the 19th century Mayan revolution on the Yucatan Peninsula in Mexico.  It has other positive qualities, like great character development and excellent world building.  The whole just felt a little less than the sum of the parts.  This book was nominated for 2023 Hugo, Aurora (Canadian Sci Fi/Fantasy) and Locus Fantasy Awards. 

The story begins with the arrival of a British man accepting role of mayordomo at the Moreau compound.  Montgomery was found by the owners of the property and sole benefactor of Moreau’s research, the Lizaldes family.  Montgomery is a ne’er-do-well alcoholic and gambler who has nothing to left to lose and oddly enough, doesn’t bolt when he finds out about Moreau’s human-animal hybrid experiments.  Helping him adjust is Moreau’s daughter, Carlota.  Of course, sexual tension develops between the two.  Everything and everyone remain in a state of balance until the Lizaldes’ son Eduardo shows up and falls for Carlota.  Suddenly, almost every combination of relationship, including between the people and the hybrids, falls to chaos.

Carlota and Montgomery are the main characters.  The book alternates chapters with their points of view.  Carlota is a sweet, caring individual with relatively modern thinking, despite growing up with only the hybrids as companions and her father as her teacher.  She even agrees to her father’s wishes to be open to Eduardo’s advances so that the Lizaldes family will keep funding his research.  Montgomery on the other hand is rough around the edges.  He doesn’t trust the Lizaldes family nor their son’s intentions toward Carlota.  He, of course, is in love with her, but can’t admit it to himself as his own secretive past eats away at him.  I actually liked Montgomery more than Carlota, I think because he’s broken and I could relate to his brokenness.  Carlota is no Mary Sue, but I couldn’t relate to her as well.  I’ll admit though, she was a strong, multi-dimensional character and I did like her.

The secondary characters are also well developed.  Eduardo, his cousin, Moreau, the hybrids, are all interesting and realistically portrayed.  No one is a caricature of good or evil.  There are just a lot of bad circumstances that throws people into difficult situations that evoke passion and bad decisions.  Still, the evils of slavery and abuse of the indigenous population come through.  Ultimately, the Lizaldes are the privileged landowners who represent everything that was bad with colonization in Mexico.    

There are so many things to like about this book, but while reading it, I occasionally found myself struggling to stay interested.  If I could have found it more exciting and perhaps a little less prosy, I might have empathized with Carlota more and experienced a more emotional response at the book’s conclusion.  But this is a good read, and I don’t dissuade anyone from it.  I like Moreno-Garcia and will probably continue to read her output.  She’s a terrific writer with good vision and great imagination.