J.R.R. Tolkien
Completed 3/3/28/2015, Reviewed 3/30/2015
5 stars
It seems like I’m handing 5 stars out of 5 for all of
Tolkien’s works these days. In my
defense, I think I’m just in “Tolkien Mode”.
Everything I’m reading by him seems magical and alive. The pieces in this diverse collection of his
works simply feed into that. This book
contains an essay, a play, a novella, a short story, and a collection of
poems. Let’s start with the fiction.
“Leaf by Niggle” is an allegory about art and death. Tolkien regularly professed his dislike of
allegory. He faults it with diverting
the reader from the art of the story itself, causing them to focus on what it represents
what instead. So it’s interesting that
he would write one himself. Niggle is a painter
who spends too much time on his art rather than on helping his neighbors. He’s distracted by responsibility and
details. Suddenly, he has to go on a
journey, leaving his art behind, and disgraced by the authorities for not using
his masterpiece’s canvas for his neighbor’s leaky roof. Besides the obvious death allegory, it seems
to me that Tolkien is describing his artistic process as well. Niggle starts his “masterpiece” with one
leaf, then more leaves, then the tree, its roots, the birds, the forest, and
the mountains. This piece consumes
him. He even patches other paintings
onto this piece even though they didn’t start out as being a part of it. And he’s never finished with it. Besides being distracted by neighbors, he’s
distracted by the details of the paintings.
Looking at the whole of Tolkien’s work on Middle-Earth, knowing that he
left lots of fragments of the stories from it and grafted unrelated stories he
had already written onto it, it was easy for me to conclude that this was
autobiographical. It’s a wonderfully
charming story in itself, and Niggle conjures the personality of Bilbo. When you get to the end, you simply feel like
you read something very personal about the author.
“Farmer Giles of Ham” is a wonderful little story about a
non-descript farmer who is thrust into the limelight by accidently fending off
a giant wrecking the village. Praised by
his neighbors and even the king, he ends up conscripted to fight a dragon who
also comes a-rampaging. It’s another
story about unexpected bravery and growth against overwhelming odds, a la “The
Hobbit”.
“The Adventures of Tom Bombadil” is a collection of poems
about Tom Bombadil and other Middle-Earth lore.
I’m not much of a poetry appreciator and initially had trouble comprehending
the poems. I decided to read them aloud,
and it made a big difference. I got the
point of the poems, the humor, the horror, the gallantry, the irony. “Cat” was one of my favorites. It was simply fun. “The Sea Bell” and “The Last Ship” nearly
made me cry. They made a great end to
the whole book.
“The Homecoming of Beorhtnoth Beorththelm’s Son” is play and
a poem based on an old epic poem of an English battle. The two characters are searching the dead from
a battle for the body of Beorhtnoth. It’s
very short. At first, I didn’t know what
to think of it. Again, me + poetry = I
don’t get it. But upon reflection, it
seemed to be a statement of war and heroism in a macabre little package. Then I realized it left me quite
uncomfortable and quite aware of the tragedy that war is.
The last piece to mention is the essay “On Fairy
Stories”. It’s a wonderful discussion of
Tolkien’s view of fantasy. He shows that
the fairy story is art, answering his detractors, and should be valued as a
very high form of it. He discusses the
difference between fantasy and the stories about the world of Faerie, and the
transformative power of it. It’s a bit
long, and sometimes academic papers can be a bit dry, but it is also often
amusing, and provides a glimpse into his mind.
It made me more interested in reading his collection of letters.
I have to say I didn’t think I would enjoy this collection,
as I wasn’t sure I’d be interested in anything outside Middle-Earth. This book showed me that I really appreciate
his writing in general. It’s very warm
and welcoming, even his essay. I’m
hoping that when I get to the rest of Tolkien’s posthumous work, I’ll rate something
below a five, just to demonstrate that I haven’t lost all my critical edge and just
simply worship him.
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