Douglas
Adams
Completed 2/17/2020,
Reviewed 2/17/2020
4 stars
The fifth
and final installment of the Hitchhiker’s series must have just struck me the right
way at the right time. It’s the least
liked of the series by the majority of fans, but I really enjoyed it. Like all his books, it’s hard to know where
it’s going. Everything is absurd and
random. It’s darker than the previous
books and has an abrupt ending. It is
said that Adams wrote this book during a particularly difficult year and was
thinking of writing a sixth book to bring it to a better conclusion. Tragically, he died before writing it. Still, I liked what he tried to do here and
feel satisfied that the “trilogy” had closure.
The plot,
once again, is rather convoluted. The
book begins with Tricia McMillan (Trillian’s real name) as a TV reporter going
to an interview for a job on a morning news program in the US. It turns out that this is a parallel universe
Trillian who met Zaphod Beeblebrox at a party but did not go into space with
him. She does, however, meet aliens who
seek her out to recalibrate astrology from the point of view of the newly
discovered tenth planet, where they’ve been hanging out. Ford Prefect goes back to the Guide’s main
office only to find that the Guide has been bought by a new company and wants
him to work as a restaurant critic.
Arthur Dent lost Fenchurch, his new love, when the spaceship they were
on jumped dimensions. Distraught, he
tries to get back to Earth but keeps finding it in different dimensions where
it’s sometimes not there, but mostly it’s different from the Earth from his original
dimension. He ends up on a primitive
planet, hailed as a gift from Bob, their god, as master sandwich maker. Trillian finds him and presents him with his
daughter, who she had via the sperm Arthur sold to get money for his journey to
find a home. When Trillian wanted to
have a baby, she searched the galaxy sperm banks, but the only human sperm was
Arthur’s. Hijinx ensue.
There aren’t
as many comical asides in this book.
What’s funny is the absurdity of everything, right down to the long
diatribe on sandwich making that precedes discovering that Arthur is the master
sandwich maker on a primitive planet. You
can tell there was something the matter with Adams when he was writing this
book. The levity isn’t there. As I mentioned earlier, it’s dark, dark and
absurd.
The writing
style, like in So Long, and Thanks for All the Fish, is more novel-like rather
than a collection of skits. More thought
went into the development of the plotlines. The characterization is good as well,
breathing life into Tricia and the resuming the despair of Arthur. The only negative thing I can say about the
book is the removal of Fenchurch from the story. I felt like it was too convenient, as if
Adams just couldn’t think of what to do with her character, so he had her
disappear during the dimension shift. It
was an easy out that I bet even Adams felt bad about.
I give the
book four stars out of five, mostly because I thought the book was well written,
even the abrupt ending. It pulled many things
together, albeit rather quickly. I just
wish Fenchurch was in it, because I thought Arthur deserved some happiness,
more than just one book’s worth.
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