Freya Marske
Completed 6/14/2026, Reviewed 6/15/2026
5 stars
There are many takes on classic fairy tales. This time, it’s Cinderella, and Ella is a ghost haunting a house. Despite being another retelling, I was blown away by the complexity. It was smart, funny at times, and quite intense. This is another nominee for the 2026 Hugo Novella. I think it deserves the nomination just for making the trope feel fresh and exciting.
Ella was murdered at the age of sixteen. She wakes up to find herself being a ghost haunting her own house. It takes a while, but soon she is visible, but only to her stepmother and stepsisters. They demand she do all the housework for them, just like when she was alive. She tries to refuse, but her spectral body goes right to the assigned task. It’s as if she is somehow bound to the house. Several years pass and she is still the maid for her stepfamily, but she yearns for the senses of being alive, to touch, to dance. One day in the market, a woman selling charms sees her and makes her dreams come true, for a price. You may think you know the ending, but it is so much wilder than you’d expect.
I think what impressed me the most was the complexity of the world building, including the characters. It reminded me of world building of Gregory Maguire’s “Confessions of an Ugly Stepsister.” Cinder House may not go quite as deep, it still created a believable world with very realistic characters, including the “Handsome Prince.” They had a lot of depth, and considering this is a novella, had good character arcs. The one exception is the older stepsister named Greta. She has the personality of an aspiring serial killer. She tortures ghostly Ella to no end and seems bent on completely eradicating her. Greta’s character arc goes from horrible to terrorizing with no believable reason, at least I didn’t quite believe it. Nevertheless, she fits into the story well.
I give this book five stars out of five. I found myself getting so excited when each box of the original story got checked off. Not all of them are checked off, but more than enough to feel satisfied that this was a very imaginative work. I should mention this comes with a spiciness warning. As long as Marske doesn’t just stick with fairy tale retellings, I look forward to seeing what else she produces.

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