Elizabeth Hand
Completed 5/31/2014, Reviewed 6/4/2014
3 stars
“Winterlong” is a complex novel set in Washington DC after
two apocalyptic events, and at the edge of a possible third. The story follows twins separated at
birth. Wendy is an autistic teen, having
spent most of her life in an institution named HEL, where she was
neurologically enhanced, turning her into a powerful empathy. She has visions of a green-eyed boy named
“Death”. After escaping from HEL just
before it’s attacked, she ends up with an acting troupe, disguised as a boy,
and hiding from the powerful new governor of the region. Her brother Raphael, an extraordinarily
beautiful boy, grew up as a highly prized courtesan. After accidently killing someone and losing
the favor of his patron, he hides among the lazars, wild, cannibalistic
children who serve the governor. The
monomaniacal governor believes the twins fulfill a prophecy which justifies his
evil plans. Wendy and Raphael end up on
a path of self-discovery that will either culminate in or subvert the third
apocalypse.
There are many things to enjoy in this book. The setting of Washington, DC is
awesome. The society has
broken down in
a very interesting way. The upper class
is the zoologists from the National Zoo and the curators from the
Smithsonian. Despite the wars and
degradation of the society, these institutions are still active and maintained. What makes it more interesting is that what
they now represent is not necessarily science, but a new mythology as well, evolved
out of the memories of pre-apocalyptic civilization.
A courtesan culture and trade evolved to service the upper
class. Their mythology revolves around
the Magdalene. I won’t go into my usual
diatribe about the popular but incorrect belief of Mary Magdalene as a
prostitute. I found it more interesting
that the misogynistic, prudish religions of the past gave way to an earthy, sexual
goddess myth and society.
The characterization is really great as well. I particularly was enthralled by Dr.
Silverthorn, a doctor from HEL who ends up a servant of the governor, idol of
the lazars, and protector of Raphael.
When Raphael meets him, he is far into his slow death from exposure to a
flesh eating virus used in the attack on HEL.
Despite his suffering, he provides comfort to and mentors Raphael. His decay is almost like a clock, counting
down to the confrontation between the governor, Raphael, and Wendy.
My problem with the book has to do with the where the plot
goes. It starts out really well. Hand’s prose is gorgeous. But when Wendy joins the acting troupe, the
plot meanders and prose becomes quite convoluted. Hand consciously forces symbolism and
mythology into the story. I’ve read
quite a few mythic fantasy and science fiction works recently, and even the
ones that are too esoteric for me at least feel organic compared to
“Winterlong”. Hand is, pardon the pun,
heavy-handed. By the time I got to the
end, I felt more like I should have had an existential experience, which I didn’t,
than be sated by a powerful conclusion.
But after all was said and done, I liked the book, even
though I was somewhat mystified and exhausted with the end. I’m even more interested in the sequels,
particularly to see if Hand’s story telling matures. This is one of those times when I wish I used
half stars in my ratings. I can’t call
it a four star book, so I’m giving it three.
As difficult as the second half gets, I’d still recommend it.
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